Artwork
Louis XVI receives homage from the Knights of the Holy Spirit in Reims, June 13, 1775

Louis XVI receives homage from the Knights of the Holy Spirit in Reims, June 13, 1775 is an oil painting by the Rococo painting artist Gabriel François Doyen. It dates from 1775 and is held in the collection of the Palace of Versailles.
About this work
Overview
Gabriel François Doyen painted this large oil work in 1775 to record a ceremonial event in which King Louis XVI received homage from the Knights of the Holy Spirit in Reims. The composition places the monarch on a throne, surrounded by architectural elements and a formal procession, illustrating the ritual’s solemnity.
Subject & Meaning
The scene captures the moment of royal recognition, with the king in a gold‑blue robe accepting the tribute of the order’s knights, who are arrayed in richly detailed uniforms. An archbishop from Bourges is also present, underscoring the intertwining of religious and monarchical authority.
Technique & Style
Executed in oil, Doyen employs a restrained palette of gold, blue and brown, allowing the decorative Rococo details—columns, drapery, and ornamental furnishings—to emerge without overwhelming the composition. Fine brushwork renders the textures of fabric and stone, while a small dog moving up the stairs introduces a subtle dynamism.
History & Provenance
Since its completion, the painting has remained in the collection of the Palace of Versailles, where it is displayed among other works documenting the reign of Louis XVI. Its presence in the royal museum reflects its role as a visual record of court ceremony.
Context
Created during the later phase of the Rococo period, the work reflects the era’s taste for elaborate, courtly scenes. It also aligns with the broader tradition of history painting that sought to commemorate significant state events through grand, narrative compositions.
Artist & collection
Artist
Gabriel François Doyen (French: ; 20 May 1726 – 13 March 1806) was a French painter of historical and mythological scenes.


