Who painted Tod des hl. Martin?

Tod des hl. Martin was painted by Giambettino Cignaroli in 1738.

Where can I see Tod des hl. Martin?

Tod des hl. Martin is held by Bavarian State Painting Collections.

What movement is Tod des hl. Martin?

Tod des hl. Martin is associated with Rococo painting.

Artwork

Tod des hl. Martin

Giambettino Cignaroli , 1738

Tod des hl. Martin is an unspecified painting by the Rococo painting artist Giambettino Cignaroli. It dates from 1738 and is held in the collection of the Bavarian State Painting Collections.

About this work

It's interesting to note that the title translates to "The Death of Saint Martin", which suggests a specific scene or story being depicted.

The painting is titled Tod des hl. Martin, created by Giambettino Cignaroli in 1738.

This work falls under the visual genre of Religious art. It's interesting to note that the title translates to "The Death of Saint Martin", which suggests a specific scene or story being depicted.

You can learn more about the style and techniques used in this painting by looking into the work of artist Giambettino Cignaroli.

Overview

Giambettino Cignaroli’s 1738 canvas *Tod des hl. Martin* presents a religious narrative within the decorative framework of early eighteenth‑century European painting. Executed during the artist’s Rococo phase, the work now belongs to the collection of Munich’s Alte Pinakothek, where it is displayed among other Baroque and post‑Baroque pieces.

Subject & Meaning

The composition portrays the final moments of Saint Martin, a figure venerated for his charitable deeds. By focusing on the saint’s death, the painting invites contemplation of martyrdom and piety, aligning with the devotional aims of religious art while offering a serene, contemplative atmosphere.

Technique & Style

Cignaroli employs the light, airy palette and fluid brushwork characteristic of Rococo, softening the solemn theme with a graceful elegance. The figures are rendered with delicate modeling, and the surrounding architecture and drapery display a decorative richness that hints at the emerging Neoclassical interest in clarity and order.

History & Provenance

Created in 1738, the painting reflects Cignaroli’s early career before his later shift toward Neoclassicism. It entered the Alte Pinakothek’s holdings in the nineteenth century, becoming part of the museum’s extensive collection of German and Italian art, where it remains accessible to scholars and visitors alike.