Charles I (1600–1649), and Henrietta Maria (1609–1669), with a Laurel Wreath

Coques employs a refined, courtly manner reminiscent of Anthony van Dyck, with meticulous attention to the texture of fabrics and the sheen of lace. The palette is dominated by bright reds and whites, while the figures are set against a softened landscape of trees and a cloud‑filled sky.

The portrait was produced during the early reign of Charles I, a period when Flemish painters were frequently commissioned by English patrons. It entered the Victoria and Albert Museum’s holdings in the 20th century, where it remains on display as part of the museum’s European painting collection.

At the time of its creation, the English court was keen to project an image of stability and cultural sophistication. The inclusion of the laurel wreath and the luxurious attire reflects contemporary diplomatic and artistic trends that linked the monarchy with classical ideals.