Who painted Verherrlichung des Hauses Österreich?

Verherrlichung des Hauses Österreich was painted by Gregorio Guglielmi in 1759.

Where can I see Verherrlichung des Hauses Österreich?

Verherrlichung des Hauses Österreich is held by Kunsthistorisches Museum.

What movement is Verherrlichung des Hauses Österreich?

Verherrlichung des Hauses Österreich is associated with Rococo painting.

Artwork

Verherrlichung des Hauses Österreich

Gregorio Guglielmi , 1759

Verherrlichung des Hauses Österreich is an unspecified painting by the Rococo painting artist Gregorio Guglielmi. It dates from 1759 and is held in the collection of the Kunsthistorisches Museum.

About this work

Overview

Created in 1759, *Verherrlichung des Hauses Österreich* is a Rococo‑style painting by Gregorio Guglielmi, an Italian‑born artist who spent much of his career working in Germany. The work is part of the permanent collection of Vienna’s Kunsthistorisches Museum.

Subject & Meaning

The composition presents a celestial tableau filled with angels, human figures, and a central female figure dressed in green, all set against a cloud‑laden sky. The arrangement suggests a celebratory homage to the Austrian House, using allegorical figures to convey themes of divine favor and dynastic prestige.

Technique & Style

Executed with the delicate brushwork characteristic of Rococo, the painting employs a muted palette of blues, browns, and whites. Guglielmi’s handling of light and texture creates a soft, atmospheric effect, while the intricate detailing invites close inspection of the numerous figures and ornamental elements.

History & Provenance

After its completion, the work entered the collection of the Kunsthistorisches Museum, where it remains on display. Its presence in the museum reflects the broader 18th‑century interest in commemorating ruling houses through elaborate visual programs.

Context

Guglielmi, though trained in the Italian fresco tradition, adapted his style to the German courts, merging Italianate composition with the lighter, decorative sensibilities of Rococo. The painting aligns with contemporary courtly commissions that sought to glorify ruling families through mythic and religious symbolism.