Artwork

Wings of a Triptych with Saints Christopher, Francis, Jerome, Anthony

Wings of a Triptych with Saints Christopher, Francis, Jerome, Anthony, oil, 1510
Wings of a Triptych with Saints Christopher, Francis, Jerome, Anthony, oil, 1510

Wings of a Triptych with Saints Christopher, Francis, Jerome, Anthony is an oil painting. It dates from 1510 and is held in the collection of the Gemäldegalerie Berlin.

About this work

Overview

The work is an oil painting forming the wing of a triptych that depicts four male figures, each dressed in distinct, historically styled garments.

The work is an oil painting forming the wing of a triptych that depicts four male figures, each dressed in distinct, historically styled garments. From left to right a robust figure in a red cloak carries a staff beside a child; a brown‑hooded monk stands with folded hands; a red‑robed monk holds a cross, reads a book, and has a lion at his feet; and an elderly bearded man in a brown robe walks beside a tree.

Subject & Meaning

The quartet likely represents saints traditionally associated with travel, scholarship, and asceticism. The staff and child suggest Saint Christopher, the pilgrim protector; the monk with folded hands evokes Saint Francis, known for humility; the reading monk with a lion aligns with Saint Jerome, famed for his translation of the Bible and the lion legend; the aged figure beside a tree may signify Saint Anthony, a hermit linked to wilderness.

Technique & Style

Executed in oil, the painting employs chiaroscuro, contrasting illuminated areas with deep shadows to model the figures and emphasize their drapery. The coloration is restrained, with reds and browns dominating, while the lion’s subdued tones integrate it naturally into the scene. The composition balances vertical gestures—staff, cross, and tree—creating a rhythmic flow across the panel.

Context

As a wing of a larger triptych, the panel would have been displayed alongside a central image, possibly a crucifixion or Madonna, forming a devotional ensemble for a chapel or private altar. The medieval‑inspired attire and iconography reflect a period when saints were invoked for protection during journeys and scholarly pursuits.

Artist & collection

This work is in the public domain (CC0). Image source: Gemäldegalerie Berlin open access. Spotted an error in this record? Tell us.