Artwork

Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso)

Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso), unspecified, 1100
Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso), unspecified, 1100

Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso) is an unspecified painting. It dates from 1100 and is held in the collection of the Cleveland Museum of Art. Folio 20 belongs to a manuscript of the Gandavyuha‑sutra, a Buddhist text also known as the Scripture of the Supreme Array.

About this work

Overview

Folio 20 belongs to a manuscript of the Gandavyuha‑sutra, a Buddhist text also known as the Scripture of the Supreme Array. The leaf is a narrow wooden panel that carries a miniature painted scene on its recto and script on both sides. The surviving pigments are muted browns and reds, showing considerable wear from age.

Subject & Meaning

The image depicts Sudhana, the pilgrim disciple, seated beneath a tree while holding a parrot. In the narrative, the bird serves as a symbolic companion, representing the transmission of teachings and the seeker’s attentive listening to the Dharma.

Technique & Style

The painting employs tempera on wood, with fine brushwork that outlines the figure and foliage. The limited palette and subdued tones reflect the manuscript’s devotional function rather than courtly display, and the composition is compact to fit the slender format of the folio.

History & Provenance

Created for a Buddhist manuscript, the folio was later separated from its original codex and entered the collection of the Cleveland Museum of Art. Its script, likely Sanskrit in an early Indian script, indicates it originated in a monastic workshop, though the precise geographic origin remains uncertain.

Context

The Gandavyuha‑sutra narrates Sudhana’s quest for enlightenment, a story frequently illustrated in Buddhist art across Asia. This miniature follows the tradition of integrating visual narrative with textual transmission, aiding meditation and study within monastic settings.

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.