Who painted Radha and Krishna: The Exchange of Glances?

Radha and Krishna: The Exchange of Glances was painted by Unknown in 1830.

Where can I see Radha and Krishna: The Exchange of Glances?

Radha and Krishna: The Exchange of Glances is held by Detroit Institute of Arts.

What movement is Radha and Krishna: The Exchange of Glances?

Radha and Krishna: The Exchange of Glances is associated with Mughal Painting.

Artwork

Radha and Krishna: The Exchange of Glances

Unknown , 1830

Radha and Krishna: The Exchange of Glances is an unspecified painting by the Mughal Painting artist Unknown. It dates from 1830 and is held in the collection of the Detroit Institute of Arts. The work depicts an interior space illuminated by bright light, where two women in vivid orange garments stand beside an open doorway.

About this work

Overview

The work depicts an interior space illuminated by bright light, where two women in vivid orange garments stand beside an open doorway. Beyond the threshold, a man in a yellow robe and a blue crown stands on a red carpet, his gaze directed toward the women. Architectural elements such as arches, a staircase, and a distant landscape of hills and trees frame the scene.

Subject & Meaning

The composition suggests a narrative moment drawn from the mythic relationship between Radha and Krishna, with the two women representing Radha and a companion, while the crowned figure outside embodies Krishna. The reciprocal glances imply a moment of recognition or emotional exchange, underscored by the harmonious color palette that links the characters.

Technique & Style

Executed in oil on canvas, the painting employs a saturated palette of orange, yellow, green, and blue, contrasted with gold accents that heighten the sense of festivity. Linear perspective guides the viewer’s eye from the interior to the exterior, while the detailed rendering of architectural features and textile patterns reflects a refined, courtly aesthetic.

History & Provenance

The piece is part of the collection of the Detroit Institute of Arts, where it is displayed for public viewing. Its acquisition details and earlier ownership are not specified in the available documentation.