Artwork

“A Branch of Sacred Evergreen” (Sakaki), from the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki)

“A Branch of Sacred Evergreen” (Sakaki), from the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki), unspecified, 1650
“A Branch of Sacred Evergreen” (Sakaki), from the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki), unspecified, 1650

“A Branch of Sacred Evergreen” (Sakaki), from the Phantom Genji Scrolls (Maboroshi no Genji monogatari emaki) is an unspecified painting. It dates from 1650 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

This painting, titled "A Branch of Sacred Evergreen" (Sakaki), is a component of the larger "Phantom Genji Scrolls" (Maboroshi no Genji monogatari emaki).

This painting, titled "A Branch of Sacred Evergreen" (Sakaki), is a component of the larger "Phantom Genji Scrolls" (Maboroshi no Genji monogatari emaki). It depicts a two-story architectural interior teeming with figures engaged in various activities. The scene is rendered with a distinct visual clarity, presenting a slice of life within a grand structure, hinting at a narrative origin while maintaining an observational quality.

Subject & Meaning

The artwork's title, "A Branch of Sacred Evergreen," directly references a chapter from The Tale of Genji, one of Japan's most celebrated literary works. Despite this specific allusion, the figures within the depicted two-story building appear to be absorbed in routine daily life rather than dramatic narrative moments. This portrayal suggests an interpretation that might emphasize the mundane aspects of existence, even within a story of courtly intrigue, or perhaps an imagined, less explicit retelling of the classic.

Technique & Style

The painting employs a distinctive aesthetic characterized by flat, vibrant colors

including reds, blues, and greens

applied without the use of deep shadows, which contributes to a two-dimensional effect. The architectural elements are rendered with clean, unadorned lines, emphasizing the building's structure rather than intricate ornamentation. Figures are arranged in groups across both levels of the long building, creating a sense of activity within a clearly defined, yet simplified, spatial environment.

Artist & collection