Artwork
Untitled

Untitled is an ink print by Jacques Lipchitz. It dates from 1973 and is held in the collection of the Museum of Modern Art.
About this work
Overview
Untitled is a print produced in 1973, attributed to the sculptor Jacques Lipchitz.
Untitled is a print produced in 1973, attributed to the sculptor Jacques Lipchitz. It forms part of a larger portfolio that includes a variety of printmaking techniques—lithography, screenprinting, etching, aquatint, and woodcut—totaling thirty‑one lithographs, twenty‑two screenprints, eleven etchings, three aquatints, and two woodcuts. The work is held in the collection of the Museum of Modern Art.
Subject & Meaning
The composition presents a solitary, elongated figure rendered in a stark, vertical stance, arms lifted as if in gesture or exultation. The central area of the form is highlighted in a vivid yellow, while irregular red and green markings intersect the torso and limbs, suggesting spontaneous scribbles or fissures. A muted gray field forms the backdrop, emphasizing the figure’s stark silhouette.
Technique & Style
Lipchitz employed a combination of fine linear work and broader, uneven color patches, creating a contrast between delicate detail and gestural application. The surface bears the hallmarks of hand‑drawn marks, with irregular edges that convey immediacy. The use of multiple pigments within a single print reflects an experimental approach to color layering in printmaking.
History & Provenance
Created in 1973, the piece entered the Museum of Modern Art’s collection shortly after its completion, where it remains catalogued under the title Untitled. Its inclusion in a diversified portfolio of prints underscores Lipchitz’s exploration of two‑dimensional media alongside his more widely known sculptural practice.
Context
During the early 1970s, many artists expanded their practice to include print media, often assembling portfolios that showcased a range of techniques. Lipchitz’s Untitled aligns with this trend, integrating lithographic processes with elements typical of screenprinting and etching, thereby reflecting the period’s interdisciplinary experimentation.
Artist & collection
Artist
Jacques Lipchitz was a Lithuanian-born French-American Cubist sculptor. Lipchitz retained highly figurative and legible components in his work leading up to 1915–16, after which naturalist and descriptive elements were…















