Who painted Portrait of a Man, perhaps a Member of the Klinkhamer Family?

Portrait of a Man, perhaps a Member of the Klinkhamer Family was painted by Jan Maurits Quinkhard in 1738.

Where can I see Portrait of a Man, perhaps a Member of the Klinkhamer Family?

Portrait of a Man, perhaps a Member of the Klinkhamer Family is held by Rijksmuseum.

What movement is Portrait of a Man, perhaps a Member of the Klinkhamer Family?

Portrait of a Man, perhaps a Member of the Klinkhamer Family is associated with Rococo painting.

Artwork

Portrait of a Man, perhaps a Member of the Klinkhamer Family

Jan Maurits Quinkhard , 1738

Portrait of a Man, perhaps a Member of the Klinkhamer Family is an oil painting by the Rococo painting artist Jan Maurits Quinkhard. It dates from 1738 and is held in the collection of the Rijksmuseum.

About this work

Overview

Jan Maurits Quinkhard, an 18th‑century Dutch painter, executed this portrait in 1738 on a copper support. The work is part of the Rijksmuseum’s holdings and exemplifies the Rococo period’s preference for elegant yet restrained composition. It presents a single male sitter, presumed to belong to the Klinkhamer lineage, rendered with a focus on facial presence.

Subject & Meaning

The figure is a middle‑aged man with a rounded visage, light‑colored hair and a sober expression. He is dressed in a dark coat trimmed with a white collar, his hands placed calmly on a dark tabletop. The plain, dim background isolates the sitter, emphasizing his status and character without narrative distraction.

Technique & Style

Quinkhard employed oil on copper, a medium that allows fine detail and luminous surface. Brushwork is slightly textured on the hands and sleeves, lending a tactile quality to the fabrics. Subtle chiaroscuro models the face, while soft shadows create a gentle three‑dimensionality, aligning with Rococo’s refined aesthetic.

History & Provenance

Created in the Dutch Republic during Quinkhard’s mature period, the portrait entered the Rijksmuseum collection at an unspecified date, where it remains on view. Its attribution to a member of the Klinkhamer family is based on stylistic comparison with contemporary family records, though definitive identification has not been confirmed.

Context

Portraiture in early 18th‑century Netherlands often served to affirm social standing and familial ties. Quinkhard, known for his courtly commissions, applied the Rococo’s decorative sensibility to a restrained, almost documentary representation, reflecting the era’s balance between aristocratic display and emerging bourgeois modesty.