Artwork
A Windmill in Moonlight
A Windmill in Moonlight is an oil painting by Johan Jongkind. It dates from 1868 and is held in the collection of the National Gallery of Ireland.
About this work
Overview
Created in 1868, *A Windmill in Moonlight* is an oil painting by Dutch artist Johan Jongtype. The work depicts a solitary windmill bathed in nocturnal light, set against a tranquil landscape of water, trees, and a sky shifting between gray and blue. It is part of the National Gallery of Ireland’s collection.
Subject & Meaning
The composition centers on a windmill whose still sails rise amid a quiet scene. Moonlight reflects off the water, casting a soft illumination that emphasizes the structure’s silhouette. The muted palette and calm atmosphere suggest contemplation of nature’s stillness at night, inviting viewers to experience a moment of peaceful solitude.
Technique & Style
Jongtype employs a loose, expressive brushwork that leaves visible strokes in the foreground, creating texture and a sense of immediacy. His limited range of grays, blues, and browns reinforces the nocturnal mood, while subtle contrasts of light and shadow generate depth. The handling anticipates later Impressionist concerns with atmosphere and fleeting light.
History & Provenance
The painting was completed in 1868, during a period when Jongtype was gaining recognition for marine and landscape subjects. It entered the National Gallery of Ireland’s holdings at an unspecified date, where it remains on display as part of the museum’s European 19th‑century collection.
Context
Jongtype’s work bridges Dutch landscape tradition and emerging Impressionist ideas. His emphasis on atmospheric effects and rapid brushwork influenced younger artists who would later define Impressionism. *A Windmill in Moonlight* exemplifies his contribution to the shift toward more spontaneous, light‑focused painting in the late 19th century.
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Artist & collection
Artist
Johan Barthold Jongkind (Dutch pronunciation: ; 3 June 1819 – 9 February 1891) was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of impressionism.
