Artwork
Karrer, Daniel - Malerei, Teppich (32°24'57.59'' N 77°04'13.97'' O)
Karrer, Daniel - Malerei, Teppich (32°24'57.59'' N 77°04'13.97'' O) is an unspecified painting by Daniel Karrer. It dates from 2012 and is held in the collection of the Archaeology and Museum Baselland.
About this work
Overview
Daniel Karrer’s 2012 work, titled “Malerei, Teppich,” is part of the collection of the Museum of Ethnography. The image presents a close‑up of a richly patterned textile, rendered as a painted surface. Dominant hues of red, gold, white and blue dominate the composition, set against a dark field that heightens their visual impact.
Subject & Meaning
The painting concentrates on the surface of a woven fabric, emphasizing its decorative motifs rather than any narrative scene. The juxtaposition of geometric forms and abstracted figures suggests a study of ornamental design, inviting viewers to consider the cultural significance of textile patterns and the visual language they convey.
Technique & Style
Karrer employs a thick, impasto application that gives the cloth a palpable texture, with raised areas catching light unevenly. Angular shapes and sharp edges are rendered with precise brushwork, while the chiaroscuro of the dark background creates a dramatic contrast, enhancing the vividness of the color palette.
History & Provenance
Created in 2012, the piece entered the Museum of Ethnography’s holdings shortly after its completion, though specific acquisition details are not publicly recorded. Its inclusion in the museum’s collection aligns with the institution’s focus on objects that explore material culture and visual traditions.
Context
The work reflects contemporary interest in the intersection of fine art and craft, echoing broader dialogues about the status of textile design within artistic practice. By isolating a fabric fragment, Karrer situates a traditionally functional object within the realm of painted abstraction, prompting reconsideration of craft as subject matter.
Artist & collection
Artist
Daniel Karrer painted spare, geometric canvases that lean on quiet repetition and muted tones.
