Study for Moses - Trinity Church, Boston

Executed in charcoal on laid paper, the work showcases La Farge's draftsmanship. The use of charcoal suggests an emphasis on expressive lines and tonal values, characteristic of preparatory sketches.

Created in 1876 for Trinity Church, Boston, the drawing's original purpose might have been related to a commission or proposal for a decorative element within the church, such as a stained glass window or mural, for which La Farge was known.

John La Farge's work during this period often intersected with religious themes and the Aesthetic Movement, which emphasized beauty and craftsmanship. This piece may reflect his interest in combining religious subject matter with innovative artistic techniques.

As a study, its legacy might be more closely tied to the final work it was intended to precede, rather than standing independently in La Farge's oeuvre. However, it contributes to the understanding of his creative process and the planning behind his religious artworks.