Artwork

H Beard Print Collection

H Beard Print Collection, by Lefèvre, L. H., 1850
H Beard Print Collection, by Lefèvre, L. H., 1850

H Beard Print Collection is a print by Lefèvre, L. H.. It dates from 1850 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

The work is a full‑length lithotint portrait of actress Louisa Cranstoun (Macnamara) Nisbett in costume as Cornet Fitzherbert Fitzhenry, a role from the 19th‑century stage production The Married Rake. The image is part of the Harry Beard Print Collection and depicts the figure against a simple line‑drawn interior that suggests a drawing‑room setting.

Subject & Meaning

In the print, Nisbett assumes a male military character, complete with period attire that includes white pantaloons, a double‑breasted three‑quarter‑length jacket, a tasselled cap and a pale sash. The cross‑dressing portrayal reflects the theatrical convention of women playing breeches roles, offering a visual commentary on gender performance in Victorian theatre.

Technique & Style

Executed as a lithotint, the image combines the tonal richness of lithography with the delicate shading of a tint, allowing subtle gradations of light across the costume and background. The line‑drawn interior is rendered in a restrained manner, focusing attention on the figure’s elaborate dress and accessories.

History & Provenance

The print originates from the late 1800s, contemporaneous with the original staging of The Married Rake. It entered the Harry Beard Print Collection, a private assemblage of theatrical prints, before being catalogued by the Victoria and Albert Museum as part of its holdings on 19th‑century performance art.

Context

Breeches roles were a popular feature of Victorian drama, allowing actresses to display both vocal talent and the novelty of male impersonation. The Married Rake, a comedy of manners, employed such a role to satirise aristocratic excess, and this print captures that theatrical moment.

Artist & collection

Artist

Lefèvre, L. H.

This late 19th-century printmaker carved everyday life into small, shareable images.