Artwork
Frederic Regamey

Frederic Regamey is an ink print by the Romanticist artist Alphonse Legros. It dates from 1874 and is held in the collection of the National Gallery of Art.
About this work
Overview
Frederic Regamey is a drypoint print executed in 1874 by Alphonse Legros, a French‑born artist who had established his practice in London after arriving in 1863. The work presents a single figure in profile, rendered with the characteristic immediacy of a directly incised line. The composition is modest in scale, focusing on the sitter’s facial features and the crisp outline of his collar.
Subject & Meaning
The image depicts a man turned slightly toward the viewer, his hair rendered as thick curls and a full beard defining his profile. The neatly buttoned collar suggests a degree of formality, while the directness of the line work conveys a sense of personal presence. The portrait functions as a study of character rather than an allegorical statement.
Technique & Style
The tonal contrasts are achieved through subtle chiaroscuro, allowing light and shadow to model the facial planes without relying on elaborate hatching.
Legros employed drypoint, a printmaking method in which a sharp needle scratches lines into a metal plate, leaving a burr that produces a soft, velvety edge in the final impression. This approach yields uneven, scratch‑like strokes that give the surface a tactile quality. The tonal contrasts are achieved through subtle chiaroscuro, allowing light and shadow to model the facial planes without relying on elaborate hatching.
History & Provenance
Created during Legros’s prolific period of printmaking, the portrait aligns with his broader effort to revive British etching in the late nineteenth century. While specific ownership records are limited, the work has been documented in catalogues of Legros’s prints and is representative of his output for the Royal Academy exhibitions of the 1870s.
Context
Legros’s relocation to London placed him at the centre of a renewed interest in intaglio processes among British artists. His advocacy for drypoint and other etching techniques contributed to a growing workshop culture that emphasized direct drawing on the plate. Frederic Regamey thus reflects both personal portraiture and the artist’s commitment to advancing print media in his adopted country.
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Artist & collection
Artist
Alphonse Legros (French pronunciation: ; 8 May 1837 – 8 December 1911) was a French, later British, painter, etcher, sculptor, and medallist.
















