The Polish-Lithuanian Union in Lublin

Bacciarelli employs a palette typical of late‑Baroque richness, yet the arrangement of figures and the restrained rendering of architectural elements anticipate Neoclassical clarity. Brushwork balances detailed costume rendering with broader, atmospheric treatment of the surrounding space.

After its completion, the painting entered the holdings of the Polish‑Lithuanian Commonwealth’s elite collections before being transferred to the National Museum in Kraków, where it remains on public display.

The work was produced during a period of renewed interest in national foundations, as the Commonwealth faced internal reforms and external pressures. By visualising the Lublin Union, Bacciarelli contributed to contemporary dialogues about statehood and shared heritage.