Artwork

Untitled

Untitled, by Rudolf Marcuse, photographic
Untitled, by Rudolf Marcuse, photographic

Untitled is a photographic photography by Rudolf Marcuse. It is held in the collection of the Victoria and Albert Museum. This black‑and‑white photograph, printed on a green mounting card, depicts a stone statue of a robed, turbaned male figure.

About this work

The statue appears to be made of stone or another material that has been weathered to a light gray color.

This image is a photograph of a statue of a man dressed in a long robe and turban. The statue is shown from the knees up, with the man's arms at his sides and his hands open. The statue appears to be made of stone or another material that has been weathered to a light gray color.

The man's face is serious, and he looks straight ahead. His robe is draped over his shoulders, and his turban is wrapped around his head. The statue is placed on a round base, which is visible at the bottom of the image.

The photograph is in black and white, and it has a sepia tone. It appears to be an old photograph, possibly from the early 20th century. To learn more about the artist who created this photograph, look up Marcuse, Rudolf.

Overview

This black‑and‑white photograph, printed on a green mounting card, depicts a stone statue of a robed, turbaned male figure. The image shows the figure from the knees upward, hands open at his sides, set upon a circular base. The sepia‑toned print suggests an early‑20th‑century origin.

Subject & Meaning

The statue portrays a solemn man in traditional attire, his gaze directed forward. The draped robe and wrapped turban convey a sense of dignity and cultural specificity, while the open hands may imply openness or offering.

Technique & Style

Captured by photographer Rudolf Marcuse, the image employs a straightforward, documentary style typical of the period’s photographic records of sculpture. The monochrome palette and sepia toning emphasize texture and form over color.

History & Provenance

The print forms part of a collection assembled by William Kineton Parkes, a novelist and art historian who bequeathed the material in 1938. In the 1920s, Parkes solicited responses from sculptors via questionnaires; the resulting photographs and related documents now reside in the Archive of Art and Design.

Artist & collection