Artwork
Εποποιΐα Ι
Εποποιΐα Ι is a drawing by Alex Mylona. It dates from 2005 and is held in the collection of the Metropolitan Organisation of Museums of Visual Arts of Thessaloniki – MOMus.
About this work
Overview
Εποποιΐα Ι (Epic I) is an abstract painting by Alex Mylona that translates sculptural elements into a two-dimensional composition. Characterized by a tangle of rough, black lines on paper, the work conveys dynamic energy through dense cross-hatching, achieving depth and contrast without color.
Subject & Meaning
While the subject of Epic I appears abstract, Mylona's broader oeuvre suggests underlying themes of existential secrets, love, motherhood, birth, death, and the empowerment of women. These universal and timeless concerns often underpin her works, despite their non-representational forms.
Technique & Style
The piece showcases Mylona's use of cross-hatching to create a sense of fullness and busyness. This technique, involving closely drawn intersecting lines, generates areas of dark and light, adding visual depth to the monochromatic, energetic composition.
History & Provenance
Limited information is provided on the specific history and provenance of Epic I. It is known to be part of Mylona's practice of creating paintings in relation to her sculptural proposals and personal experiential realities.
Context
Epic I reflects Mylona's interdisciplinary approach, bridging sculpture (notably her Architectural Proposals and marble Angels) and abstract painting. This intersection highlights her exploration of form and theme across mediums.
Legacy
The legacy of Epic I is intertwined with Mylona's overall contribution to exploring universal themes through abstract and representational means. The work contributes to a broader discourse on existential and feminist themes in modern art.
Artist & collection
Artist
Alex Mylona (Athens, 1920 – 2016) was a Greek sculptor, known for her multidimensional and experimental approach to art.
Museum
Metropolitan Organisation of Museums of Visual Arts of Thessaloniki – MOMus
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