Who painted The Mouth of the Seine. Shore scene at low tide?

The Mouth of the Seine. Shore scene at low tide was painted by Mary Cox Palethorpe in 1907.

Where can I see The Mouth of the Seine. Shore scene at low tide?

The Mouth of the Seine. Shore scene at low tide is held by Victoria and Albert Museum.

What movement is The Mouth of the Seine. Shore scene at low tide?

The Mouth of the Seine. Shore scene at low tide is associated with Impressionism.

Artwork

The Mouth of the Seine. Shore scene at low tide

Mary Cox Palethorpe , 1907

The Mouth of the Seine. Shore scene at low tide is a watercolor work on paper by the Impressionist artist Mary Cox Palethorpe. It dates from 1907 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

Mary Cox Palethorpe’s watercolour titled *The Mouth of the Seine. Shore scene at low tide* captures a tranquil stretch of riverbank where the Seine recedes, revealing a pale, sandy shoreline. The composition is dominated by a soft, hazy sky and gentle, low‑lying waves that lap at the exposed sand.

Subject & Meaning

The work presents a quiet, almost deserted beach at low tide, with light‑colored sand extending toward a distant line of rocks and modest structures perched near the water’s edge. The scene conveys a sense of stillness and the fleeting nature of the river’s ebb, inviting contemplation of the landscape’s subtle changes.

Technique & Style

Executed in watercolour, Palethorpe employs smooth washes and delicate blending to render the muted palette. The medium’s translucency enhances the dreamy atmosphere, while the minimal detailing emphasizes open space and calm light rather than dramatic narrative.

History & Provenance

The painting is recorded as a watercolour by Palethorpe, though specific details of its creation date, exhibition history, or ownership trail are not documented in the available sources.

Context

The depiction aligns with 19th‑century British interest in riverine and coastal scenes, where artists often explored the interplay of light and water. Palethorpe’s focus on a French river’s low‑tide moment reflects a broader fascination with atmospheric effects across European landscapes.