The Finding of Moses

Rendered in oil, the painting showcases Veronese’s characteristic brilliance of color and meticulous handling of texture. Lush drapery, reflective surfaces, and the nuanced depiction of foliage and water demonstrate a sophisticated use of glazing that creates depth and luminous vibrancy across the expansive canvas.

The Dresden version is one of several iterations of the Moses episode; a related piece in Lyon is believed to be a preparatory study for this larger work. Over the centuries the painting entered the collection of the Gemäldegalerie Alte Meister, where it remains part of the museum’s core holdings.

Created during the late Renaissance, the work reflects the Venetian tradition of grand narrative cycles commissioned for private or public settings. Veronese’s studio frequently revisited biblical themes, adapting compositions for different patrons, which explains the multiple versions of this subject across European collections.