Artwork

Portrait of the French painter Alfred Guillou

Portrait of the French painter Alfred Guillou, by Peder Severin Krøyer, oil, 1890
Portrait of the French painter Alfred Guillou, by Peder Severin Krøyer, oil, 1890

Portrait of the French painter Alfred Guillou is an oil painting by the Impressionist artist Peder Severin Krøyer. It dates from 1890 and is held in the collection of the Statens Museum for Kunst.

About this work

This painting shows a man with a thick beard and a red mark on his neck, looking slightly to the side.

This painting shows a man with a thick beard and a red mark on his neck, looking slightly to the side. His skin is painted in warm tones, while the background stays dark. The brushstrokes are thick and visible, especially on his collar and beard.

The artist signed the painting in the corner, but the name isn’t easy to read. This portrait was painted in 1879.

Next, check out Peder Severin Krøyer, the artist who made this painting.

Overview

Peder Severin Krøyer’s portrait of the French artist Alfred Guillou is an oil work on wood dating from the late 19th century, presently in the collection of Denmark’s Statens Museum for Kunst. The composition presents Guillou in a half‑length view, his gaze turned slightly away, set against a darkened backdrop that emphasizes the figure’s warm‑toned flesh.

Subject & Meaning

Alfred Guillou, noted for his maritime scenes, is rendered here with a full beard and a distinctive red mark on his neck, suggesting a personal or sartorial detail. The restrained setting and direct yet slightly averted look convey a quiet, introspective presence rather than overt narrative.

Technique & Style

Krøyer employs a palette of warm flesh tones contrasted with a deep, muted background. Thick, visible brushstrokes define the collar, beard and facial features, giving the surface a tactile quality. The handling reflects the artist’s late‑Romantic realism, balancing detail with painterly texture.

History & Provenance

The portrait entered the Statens Museum for Kunst’s holdings after its acquisition in the early 20th century, though the exact path of ownership prior to museum purchase is not recorded. A faint signature in the lower corner confirms Krøyer’s authorship, though legibility is limited.

Context

Created during a period when Krøyer was establishing his reputation among Scandinavian artists, the work exemplifies his interest in portraying fellow painters. Guillou, a French colleague, was part of the broader network of artists exchanging ideas across Europe in the 1880s‑90s.

Legacy

While not among Krøyer’s most frequently exhibited pieces, the portrait remains a valuable example of cross‑national artistic connections and of Krøyer’s skill in rendering character through modest composition and expressive brushwork.

Artist & collection