Artwork
Portrait of a Woman as Saint Catherine

Portrait of a Woman as Saint Catherine is an unspecified painting by the Early Baroque Italian artist Pier Francesco Foschi. It dates from 1560 and is held in the collection of the Cleveland Museum of Art.
About this work
If you like how Foschi mixes everyday faces with holy stories, check out other paintings from Italy, 16th century.
A woman in a red dress holds a broken wheel and a palm branch. Her face is calm, almost like she’s posing for a school photo instead of a saint’s portrait.
Artists in 1500s Italy often painted wealthy people as saints—it was a fancy way to say, “I’m holy and rich.” The broken wheel is Saint Catherine’s symbol, but here it looks more like a prop than a torture device.
If you like how Foschi mixes everyday faces with holy stories, check out other paintings from Italy, 16th century.
Overview
Portrait of a Woman as Saint Catherine is a painting depicting a woman dressed as the martyr Saint Catherine of Alexandria.
Subject & Meaning
The subject is portrayed holding a broken wheel and a palm branch, symbols associated with Saint Catherine's martyrdom, signifying her spiritual triumph.
Technique & Style
The painting exemplifies a 16th-century Italian artistic practice where patrician women were depicted as virtuous figures from Christian tradition, blending the everyday with the sacred.
Context
This representation reflects the cultural and artistic conventions of Florence during the 1500s, where wealthy individuals were often portrayed as saints to convey their virtues.
Artist & collection
Artist
Pier Francesco Foschi (1502–1567) was an Italian painter active in Florence in a Mannerist style.












