Artwork

Der König-See gegen den Untersberg bei Salzburg (Königsee toward the Untersberg near Salzburg)

Der König-See gegen den Untersberg bei Salzburg (Königsee toward the Untersberg near Salzburg) is an ink print by the Romanticist artist Ludwig Richter. It dates from 1830 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1830, this monochrome print by Adrian Ludwig Richter depicts a tranquil Alpine lake framed by the imposing silhouette of the Untersberg mountain near Salzburg. Executed as an etching on smooth wove paper, the image balances a serene water surface with rugged surrounding peaks, offering a concise yet atmospheric view of the region.

Subject & Meaning

The composition presents a placid lake edged by trees, with two modest boats—one hoisted with a sail, the other bearing passengers and a dog—drifting gently. By focusing on everyday activity within a grand natural setting, Richter emphasizes the harmonious coexistence of human presence and the Alpine landscape, a theme common in early‑19th‑century German art.

Technique & Style

Richter employed traditional copper‑plate etching, using acid to incise fine lines that translate into sharp, controlled outlines on the paper. The wove paper surface enhances the subtle tonal gradations, while the restrained line work reflects the Biedermeier preference for clarity and modest detail, avoiding the dramatic excesses of high Romanticism.

History & Provenance

The print was produced during Richter’s mature period, when he was a leading illustrator for German publications. Though specific ownership records are limited, the work has appeared in several 19th‑century print collections and is now held by institutions that focus on German graphic art of the era.

Context

Richter’s output bridges Romantic fascination with nature and the Biedermeier’s domestic sensibility. Influenced by earlier German etchers such as Erhard and Chodowiecki, he applied their precise engraving techniques to contemporary landscapes, contributing to a visual culture that celebrated regional scenery as part of a broader national identity.