Two Studies of the Statue of Alexander and Bucephalus [verso]

Robert employs loose, flowing strokes of graphite and black chalk, allowing the forms to emerge through soft shading and subtle blending reminiscent of sfumato. The laid paper’s texture contributes to the sketch’s aged appearance, while the minimal line work conveys movement and immediacy, characteristic of his preparatory studies.

The drawing belongs to Robert’s early output, produced before his later fame as a painter of capricci and ruinous landscapes. Its paper shows signs of wear, suggesting long-term handling, though specific ownership records prior to its inclusion in museum collections remain undocumented.