Artwork

Studies for "Gassed"

Studies for "Gassed", by John Singer Sargent, charcoal, 1918
Studies for "Gassed", by John Singer Sargent, charcoal, 1918

Studies for "Gassed" is a charcoal drawing by John Singer Sargent. It dates from 1918 and is held in the collection of the National Gallery of Art.

About this work

Overview

John Singer Sargent’s drawing, created between 1918 and 1919, is a preparatory study for his larger work “Gassed.” Executed in charcoal on laid paper, the piece measures a modest size and presents a tightly composed scene of three soldiers sharing a brief moment of fellowship amid the broader turmoil of the First World War.

Subject & Meaning

The composition focuses on three military figures whose relaxed posture and subtle gestures suggest a fleeting pause in combat. Their interaction conveys a sense of mutual support and the human need for connection, highlighting how brief instances of camaraderie can emerge even in the most hostile environments.

Technique & Style

Sargent employs charcoal with a dense cross‑hatching technique, building tonal depth through layered strokes. The laid paper surface adds a slight texture that enhances the gritty atmosphere. The careful modulation of light and shadow renders the figures with a three‑dimensional presence while preserving the immediacy of a sketch.

History & Provenance

The study was produced during the final year of World War I, a period when Sargent was commissioned to document the conflict for the British War Memorials Committee. It remained in the artist’s studio until after his death, after which it entered a private collection before being acquired by a public institution in the mid‑20th century.

Artist & collection

Portrait of John Singer Sargent

Artist

John Singer Sargent

John Singer Sargent (; January 12, 1856 – April 15, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Belle Époque and Edwardian-era luxury.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.