Artwork
The Nagara Tope, on site of ancient Nagarahara, Jellalabad Valley

The Nagara Tope, on site of ancient Nagarahara, Jellalabad Valley is a drawing by the Impressionist artist William R.I. F.R.G.S. Simpson. It dates from 1879 and is held in the collection of the Victoria and Albert Museum. Created in 1879 by the British surveyor William R.
About this work
Overview
Created in 1879 by the British surveyor William R.I. F.R.G.S. Simpson, this hand‑drawn sketch depicts the hilltop known as Nagara Tope in the historic Nagarahara region of the Jellalabad Valley. The work is part of the Victoria and Albert Museum’s collection and serves as a topographical record rather than a finished artwork.
Subject & Meaning
The drawing presents a simplified plan of the Nagara Tope site, centring on a prominent sunburst motif that marks the summit. Radiating lines suggest the spread of the structure’s influence, while a surrounding outline indicates the footprint of a building, annotated with dimensions in feet.
Technique & Style
Executed in pencil, the sketch relies on light, quickly rendered strokes and modest shading to convey depth. The use of faint cross‑hatching and marginal notes reveals a utilitarian approach typical of 19th‑century field surveys, prioritising clarity over artistic polish.
History & Provenance
Simpson, a Fellow of the Royal Geographical Society, produced the drawing during a period of British military and cartographic activity in Afghanistan. After its creation, the sheet entered the Victoria and Albert Museum’s holdings, where it remains as a document of colonial-era surveying practice.
Context
The Nagara Tope hilltop was a strategic point in the Jellalabad Valley, an area of frequent conflict during the Anglo‑Afghan wars. Simpson’s map would have aided engineers and commanders in assessing the terrain and planning fortifications.
Artist & collection
Artist
William Simpson drew travel scenes in watercolor and pencil during the 1800s. He sketched A Doorway in Cairo in 1884, showing arched doorways and sunlight on stone. His 1855 Sebastopol: View from the Victoria Redoubt…









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