Artwork

Untitled

Untitled, by Kees Smout, photographic
Untitled, by Kees Smout, photographic

Untitled is a photographic photography by Kees Smout. It is held in the collection of the Victoria and Albert Museum. The work is a black‑and‑white photograph mounted on a green backing card.

About this work

Overview

The work is a black‑and‑white photograph mounted on a green backing card. It records a carved relief that depicts two female figures positioned side by side, set against a background of a tree adorned with small blossoms. The image forms part of a larger collection of art‑historical material now housed in the Archive of Art and Design.

Subject & Meaning

In the relief, the figure on the left stands nude, her arms lifted as though she were holding an unseen object, while the figure on the right is clothed in a flowing, floor‑length dress, her right hand placed on her chest. The juxtaposition of the unclothed and draped bodies, together with the natural setting, suggests a study of contrasting states of vulnerability and modesty.

Technique & Style

The carving displays meticulous attention to anatomical detail, rendering the musculature of the women and the folds of the fabric with smooth, curving lines. The artist emphasizes gentle contours and a polished surface, creating a sense of quiet elegance within the relief’s composition.

History & Provenance

The photograph entered the museum’s holdings through the 1938 bequest of William Kineton Parkes, a scholar noted for his research on sculpture. Parkes had circulated questionnaires to sculptors in the 1920s, and this image was supplied as a response to his inquiry, becoming part of his donated archive.

Context

The image reflects early twentieth‑century interests in documenting sculptural practice and the visual language of the human form. It also illustrates the collaborative exchange between artists and scholars during the period, wherein questionnaires served as a conduit for sharing work and ideas.

Artist & collection

Artist

Kees Smout

Kees Smout carried a camera like others carry keys—always in his pocket, always ready.