Artwork
Drawing No.7
Drawing No.7 is a drawing by Michael Tysack. It dates from 1965 and is held in the collection of the Victoria and Albert Museum.
About this work
The image is divided into three sections, each featuring wavy lines that are reminiscent of a ribbon or a piece of fabric.
This artwork is a drawing, titled "Drawing No.7", created by Michael Tysack in 1965. It's held at the Victoria and Albert Museum. The image is divided into three sections, each featuring wavy lines that are reminiscent of a ribbon or a piece of fabric. The lines are depicted in different colors and shades, with some sections being more vibrant than others.
The wavy lines are arranged in a way that creates a sense of movement and flow, as if they are undulating across the page. The use of different colors and shades adds depth and texture to the image, making it visually interesting.
If you're interested in learning more about the artist behind this piece, you might want to look up Michael Tysack.
Overview
Michael Tysack’s 1965 work *Drawing No. 7* is a drawing composed of three abstract collage panels mounted on a grey‑card support. The piece is part of the Victoria and Albert Museum’s collection and presents a series of flowing, ribbon‑like forms across its surface.
Subject & Meaning
The composition is dominated by sinuous, undulating lines that suggest fabric or a ribbon in motion. By arranging these curves in a rhythmic sequence, Tysack creates a visual impression of movement and fluidity, inviting viewers to follow the line’s trajectory across the panels.
Technique & Style
Tysack assembled the work from cut‑out elements, adhering them to the card base to form a collage‑drawing hybrid. The lines appear in varied hues and tonal shifts, with some sections rendered in brighter pigments while others remain muted, adding depth and texture to the abstract field.
History & Provenance
Created in 1965, *Drawing No. 7* entered the Victoria and Albert Museum’s holdings through acquisition (specific acquisition details are not provided). The work reflects Tysack’s early exploration of collage and abstract drawing during the mid‑1960s.
Artist & collection
Artist
Michael Tysack made spare, linear drawings that feel like blueprints for something not yet built.
