Artwork

Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, Dominic and a Donor

Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, Dominic and a Donor, by Ugolino di Nerio, unspecified, 1330
Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, Dominic and a Donor, by Ugolino di Nerio, unspecified, 1330

Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, Dominic and a Donor is an unspecified painting by the Byzantine icon painting artist Ugolino di Nerio. It dates from 1330 and is held in the collection of the Art Institute of Chicago.

About this work

Overview

Created circa 1330, this panel by the Sienese painter Ugolino di Nerio presents the Virgin enthroned with the Christ Child, flanked by a group of saints and a kneeling donor. The central figures dominate a richly decorated throne, while the surrounding saints—Peter, Paul, John the Baptist, and Dominic—form a solemn procession that directs the viewer’s attention toward the sacred duo.

Subject & Meaning

The composition emphasizes the intercessory role of the saints, each identified by traditional attributes, as they gather around the Madonna and Child. The presence of a donor, positioned lower and looking upward, signals a devotional request for protection or spiritual benefit, a common practice in 14th‑century Italian religious art.

Technique & Style

Ugolino follows the Byzantine visual language inherited from his teacher Duccio, employing a gold‑leaf background and flattened spatial treatment. Figures are rendered with stylized drapery, bright pigments, and linear outlines, while the gold trim on the Virgin’s blue robe and the red throne’s gilded edges highlight the work’s ornamental emphasis.

History & Provenance

The panel entered the collection of the Art Institute of Chicago in the 20th century, where it remains on display. Its attribution to Ugolino di Nerio rests on stylistic comparison with other works dated between 1317 and 1327, the period during which the artist was active in Siena and Florence.

Context

The painting belongs to a tradition of altarpieces intended for private chapels or churches, where patrons commissioned images that combined personal piety with public display of status. By integrating a donor figure among the saints, the work reflects contemporary notions of patronage and the intertwining of earthly and divine realms.

Artist & collection

Portrait of Ugolino di Nerio

Artist

Ugolino di Nerio

Ugolino di Nerio (1280? – 1349) was an Italian painter active in his native city of Siena and in Florence between the years 1317 and 1327. He was a follower of Duccio di Buoninsegna, from whose Maestà some of his…