Artwork

Portable Triptych Icon: Adoration of the Miracle-Working Icon of the Vladimir Mother of God

Portable Triptych Icon: Adoration of the Miracle-Working Icon of the Vladimir Mother of God is an unspecified painting by the Baroque artist Unknown. It dates from 1604 and is held in the collection of the Cleveland Museum of Art. This small, foldable icon is part of a triptych, designed to be carried and used for private devotion.

About this work

You see a small, foldable panel with three scenes: a holy image of Mary and baby Jesus in the center, surrounded by people kneeling in prayer.

You see a small, foldable panel with three scenes: a holy image of Mary and baby Jesus in the center, surrounded by people kneeling in prayer.

This painting was made for someone’s pocket or bag—easy to carry and open for private prayer. It shows the Vladimir Mother of God, a sacred image believed to protect Moscow. The tiny size and hinged design let the owner keep their faith close, even on the move.

Look up 17th century to see more of these portable devotional objects.

Overview

This small, foldable icon is part of a triptych, designed to be carried and used for private devotion. Its compact size and hinged construction allowed it to be easily opened and closed.

Subject & Meaning

The icon depicts the Adoration of the Vladimir Mother of God, a revered image believed to safeguard Moscow. The central panel shows Mary and the infant Jesus, surrounded by kneeling figures in prayer.

Technique & Style

The icon's design and construction reflect the characteristics of later Russian religious art, where small, portable devotional objects were common.

Context

Such portable icons were likely commissioned by lay individuals for personal prayer and meditation, indicating a widespread practice of private devotion in 17th-century Russia.