Who painted Tiger Hunt of Raja Ram Singh II?

Tiger Hunt of Raja Ram Singh II was painted by Unknown in 1835.

Where can I see Tiger Hunt of Raja Ram Singh II?

Tiger Hunt of Raja Ram Singh II is held by Cleveland Museum of Art.

What movement is Tiger Hunt of Raja Ram Singh II?

Tiger Hunt of Raja Ram Singh II is associated with Patna School of Painting.

Artwork

Tiger Hunt of Raja Ram Singh II

Unknown , 1835

Tiger Hunt of Raja Ram Singh II is an unspecified painting by the Patna School of Painting artist Unknown. It dates from 1835 and is held in the collection of the Cleveland Museum of Art. This 19th-century Rajput painting depicts a dynamic tiger hunt in a single scene, showcasing multiple moments in sequence.

About this work

Overview

This 19th-century Rajput painting depicts a dynamic tiger hunt in a single scene, showcasing multiple moments in sequence. Set against the dramatic cliffs of Kotah, the artwork narrates the hunt's progression, from the tiger's lure to its fatal confrontation with Raja Ram Singh II.

Subject & Meaning

The painting commemorates Raja Ram Singh II's successful hunt, where he delivers the fatal shot from a boat. The event's depiction emphasizes the ruler's prowess and the ritualistic aspect of the hunt, as the tiger's 'shakti' (divine energy) is meant to bring blessings and prosperity to the kingdom.

Technique & Style

Employing a distinctive Rajput style, influenced by but distinct from Mughal imperial art, the painting uses bright colors and a flat, two-dimensional composition to convey energetic action. The simultaneous depiction of the tiger in multiple states (leaping, snarling, falling) creates a sense of dynamic storytelling.

History & Provenance

Created in the 1830s for Raja Ram Singh II, who ruled Kotah from 1827 to 1866, this work originates from the court painting workshops of the Rajput kingdom of Kotah, which operated under Mughal influence.

Context

Part of the Rajput painting genre, this work reflects the tradition of court-sponsored art in Rajasthan's kingdoms under Mughal aegis. Each kingdom, including Kotah, developed a unique artistic voice while drawing from imperial Mughal styles.