Artwork

Untitled

Untitled, by Wangechi Mutu, acrylic, 2003
Untitled, by Wangechi Mutu, acrylic, 2003

Untitled is an acrylic drawing by Wangechi Mutu. It dates from 2003 and is held in the collection of the Museum of Modern Art.

About this work

Overview

It belongs to The Museum of Modern Art’s collection and exemplifies Mutu’s early exploration of collage as a means to reconstruct identity.

Created in 2003, this drawing by Wangechi Mutu combines ink, acrylic, mica flakes, and layered paper elements on a single sheet. It belongs to The Museum of Modern Art’s collection and exemplifies Mutu’s early exploration of collage as a means to reconstruct identity. The work’s mixed media approach blurs boundaries between natural and artificial, organic and constructed, reflecting her interest in hybridity and transformation.

Subject & Meaning

The composition presents a solitary figure with a pale, featureless face and a body patterned like animal skin, standing beside a coiled form that resembles a serpent or rope. Opposite, a barren landscape holds floating orbs—some luminous, others shadowed. Together, these elements suggest a psychological or mythic space, where the body becomes a site of cultural memory and ecological ambiguity, neither fully human nor entirely other.

Technique & Style

Mutu constructs the image through layered cut-outs, painted paper, and adhesive films, embedding mica flakes to catch light and create shimmering textures. The surface is deliberately uneven, combining delicate washes with abrupt, graphic shapes. This tactile layering evokes both scientific illustration and ritual object, reinforcing the work’s tension between the familiar and the uncanny.

History & Provenance

Made during Mutu’s formative years in New York, the piece emerged from her engagement with collage traditions and postcolonial theory. It entered The Museum of Modern Art’s collection shortly after its creation, reflecting institutional recognition of her innovative approach. The work remains part of a broader body of drawings from the early 2000s that redefined contemporary African diasporic art practices.

Context

In the early 2000s, Mutu responded to global representations of Black femininity by deconstructing and reassembling imagery from medical texts, fashion magazines, and ethnographic sources. This work reflects that practice, using fragmented visuals to challenge exoticized stereotypes. Its dreamlike quality aligns with surrealist influences, yet its materials and motifs are rooted in East African aesthetics and ecological concerns.

Legacy

This drawing helped establish Mutu’s signature language of bodily hybridity and material complexity. Its influence is visible in later installations and sculptures that expand on these themes. By integrating craft, collage, and cultural critique, the work contributed to a broader shift in contemporary art toward interdisciplinary, identity-driven practices that resist singular narratives.

Artist & collection

Artist

Wangechi Mutu

Wangechi Mutu (; born 1972) is a Kenyan American visual artist, known primarily for her painting, sculpture, film, and performance work.

This work is in the public domain (CC0). Image source: Museum of Modern Art open access. Spotted an error in this record? Tell us.