Artwork
Wiemer, Sebastian - Malerei, Ohne Titel ( Abriss 14)
Wiemer, Sebastian - Malerei, Ohne Titel ( Abriss 14) is an unspecified painting by Sebastian Wiemer. It dates from 2014 and is held in the collection of the Archaeology and Museum Baselland.
About this work
Overview
Sebastian Wiemer's 'Ohne Titel (Abriss 14)' is a 2014 painting held at the Museum of Ethnography. Comprising a row of tall, flat, monochromatic panels affixed to a wall, the work features bold, vibrant colors without visible brushstrokes or imagery.
Subject & Meaning
The subject is abstract, with meaning derived from the interaction of colors and the physical presence of the panels. The arrangement manipulates the viewer's perception of the wall's length, while the color sequence (starting with red, followed by blues, yellows, and others) creates a dynamic visual experience.
Technique & Style
The panels, appearing to be made from scrap wood with rough edges and dents, are painted in thick, bold colors that slightly fade at the edges. The style is characterized by simplicity, flatness, and an emphasis on color, relating to impasto techniques despite the lack of visible texture.
History & Provenance
Created in 2014, the work is part of the collection at the Museum of Ethnography, though the rationale for its inclusion in an ethnography museum is not immediately clear from the artwork's abstract nature.
Context
The empty space surrounding the panels contrasts with the vibrant colors, highlighting the artwork's modern, minimalist aesthetic. The use of scrap wood adds an element of recycling or reuse, potentially commenting on materiality and waste.
Legacy
While specific influences or impacts of 'Ohne Titel (Abriss 14)' are not detailed, its style and technique reflect broader contemporary abstract art practices emphasizing color and spatial perception.
Artist & collection
Artist
Sebastian Wiemer painted abstract paintings in a modern tradition. In our collection you’ll find *Malerei, Ohne Titel (Abriss 14)*, a large canvas of layered colors and brushstrokes. Without a title to guide you, the…
