Artwork

The Second Coming of the Fifth Patriarch

The Second Coming of the Fifth Patriarch, by Yintuoluo, unspecified, 1350
The Second Coming of the Fifth Patriarch, by Yintuoluo, unspecified, 1350

The Second Coming of the Fifth Patriarch is an unspecified painting by the Ming dynasty painting artist Yintuoluo. It dates from 1350 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

Created circa 1350 by Yintuoluo, a Chan Buddhist monk of Indian origin who lived in Kaifeng under Yuan rule, the work titled *The Second Coming of the Fifth Patriarch* presents a tranquil, interior‑like tableau. The composition centers on three figures gathered beneath a modest tree, rendered in subdued browns, blacks and a hint of green, with a faint red inscription running along the right edge.

Subject & Meaning

The scene illustrates a Chan Buddhist narrative, likely referencing the legendary return of the Fifth Patriarch of Zen. Two elder men, one bearing a staff, stand to the left while a younger figure in a hat supports a child, suggesting a transmission of spiritual lineage and teaching.

Technique & Style

Executed with soft brushwork and gentle shading, the painting employs a restrained palette and minimal background detail—simple strokes suggest trees and a fence. The overall effect relies on subtle contrasts rather than dramatic chiaroscuro, emphasizing calm over theatricality.

History & Provenance

Although produced in China during the Yuan dynasty, the piece survived chiefly in Japanese collections, where many works of Yintuoluo were preserved. Later cataloguers placed it within the Ming painting tradition, reflecting the fluid categorisation of early Chinese art across dynastic lines.

Context

Yintuoluo’s practice blended Indian Buddhist heritage with Chinese Chan, a syncretism mirrored in the painting’s subject and aesthetic. Operating under Mongol governance, he navigated a multicultural environment that allowed such cross‑cultural artistic expressions to emerge.

Artist & collection

Artist

Yintuoluo

Indra (Sanskrit: इन्द्र, Chinese: 因陀羅, pinyin: Yīntuóluó, Wade-Giles: Yin-t'o-lo, Hepburn: Indara), courtesy name Renfan (壬梵), was a painter and Chan Buddhist monk of Indian descent who was active in Kaifeng, China…

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.