Who painted Studie af blomster og løg?

Studie af blomster og løg was painted by Unknown in 1748.

Where can I see Studie af blomster og løg?

Studie af blomster og løg is held by Statens Museum for Kunst.

What movement is Studie af blomster og løg?

Studie af blomster og løg is associated with Baroque.

Artwork

Studie af blomster og løg

Unknown , 1748

Studie af blomster og løg is an unspecified work on paper by the Baroque artist Unknown. It dates from 1748 and is held in the collection of the Statens Museum for Kunst.

About this work

The page looks like it’s torn from a notebook, with the number 1748 written in the corner.

This page shows three simple watercolor drawings. On the left is a tulip with pink and yellow petals. In the middle sits a bulb with a dried, papery skin. On the right, a bright yellow flower with long petals leans sideways.

The page looks like it’s torn from a notebook, with the number 1748 written in the corner. The flowers are drawn carefully, but the colors are soft and faded.

If you like this style, look up Baroque.

Overview

‘Studie af blomster og løg’ is a small watercolor composition executed in 1748 by the artist recorded as 1342_person. The work consists of three separate botanical sketches arranged side by side and is part of the collection of the Museum of Ethnography.

Subject & Meaning

The three studies depict a pink‑and‑yellow tulip, a dried bulb with a papery outer layer, and a vivid yellow flower with elongated petals that leans to one side. Together they illustrate a comparative observation of flowering plants and their underground storage organs.

Technique & Style

Rendered in delicate watercolor, the images employ a restrained palette that has softened with age, giving the pigments a muted, almost faded appearance. The sketches are presented as if torn from a personal notebook, complete with a handwritten date in the corner, emphasizing their documentary character.

History & Provenance

Created in the mid‑18th century, the piece entered the holdings of the Museum of Ethnography, where it remains accessible to researchers and visitors. No further ownership changes are recorded beyond its acquisition by the museum.

Context

The work aligns with the broader European interest in natural history illustration during the Baroque period, when artists frequently combined scientific observation with artistic practice to record plant forms for study and collection.