St George Liberating the Princess from the Dragon. Allegory

The composition relies on strong chiaroscuro, with deep shadows contrasting against illuminated figures, which pulls the eye toward the central duo. The dark, rugged terrain of trees and rocks recedes into gloom, creating depth and a sense of tension that underscores the narrative drama.

The painting entered the Museum of Ethnography’s holdings after its acquisition in the mid‑20th century, though earlier ownership records remain sparse. Its dating to the early 1640s places it within the broader Baroque period, reflecting contemporary interests in allegorical storytelling through vivid visual contrast.