Who painted Vinterlandskab med to gårde ved en tilfrossen å?

Vinterlandskab med to gårde ved en tilfrossen å was painted by Unknown in 1825.

Where can I see Vinterlandskab med to gårde ved en tilfrossen å?

Vinterlandskab med to gårde ved en tilfrossen å is held by Statens Museum for Kunst.

What movement is Vinterlandskab med to gårde ved en tilfrossen å?

Vinterlandskab med to gårde ved en tilfrossen å is associated with Romanticism.

Artwork

Vinterlandskab med to gårde ved en tilfrossen å

Unknown , 1825

Vinterlandskab med to gårde ved en tilfrossen å is a photography by the Romanticist artist Unknown. It dates from 1825 and is held in the collection of the Statens Museum for Kunst. Created in 1825 by the artist catalogued as 6688_person, this winter scene is part of the collection of the Museum of Ethnography.

About this work

Overview

Created in 1825 by the artist catalogued as 6688_person, this winter scene is part of the collection of the Museum of Ethnography. The composition shows a quiet, snow‑covered countryside with two modest farmhouses positioned beside a frozen stream, inviting contemplation of a still, cold day.

Subject & Meaning

The painting captures a rural winter moment: a solitary figure walks along the icy water’s edge while a horse leans forward to drink, emphasizing the relationship between humans, animals, and the harsh landscape. The muted setting suggests a reflective mood, highlighting endurance and the simple rhythms of agrarian life in winter.

Technique & Style

Rendered in a restrained palette of greys and whites, the work relies on subtle contrasts of light and shadow to model form and convey depth. The artist’s handling of atmospheric perspective—lighter tones receding into the sky—creates a sense of space, while the delicate brushwork suggests the texture of snow and frozen water.

History & Provenance

The canvas entered the Museum of Ethnography’s holdings after its creation, where it remains on display as part of the institution’s early‑19th‑century European collection. Its attribution to 6688_person is documented in the museum’s acquisition records, confirming its provenance from the artist’s original output.