Artwork
Een bakje aardbeien op een stenen plint

Een bakje aardbeien op een stenen plint is an unspecified painting by the Dutch Golden Age artist Adriaen Coorte. It dates from 1698 and is held in the collection of the Rijksmuseum.
About this work
Overview
Adriaen Coorte, a Dutch painter active in the late seventeenth and early eighteenth centuries, produced the still‑life titled *Een bakje aardbeien op een stenen plint* in 1698. The work presents a modest composition: a bowl filled with strawberries set upon a stone ledge, rendered in a restrained, intimate manner typical of Coorte’s oeuvre.
Subject & Meaning
The painting focuses on a single bowl of ripe strawberries, their red and white hues contrasting with a muted background. A few leaf stems and a delicate white flower accompany the fruit, emphasizing the natural abundance and fleeting freshness of the harvest without overt symbolic narrative.
Technique & Style
Coorte employs a limited palette and careful modulation of light and shadow to model the forms. The dark backdrop intensifies the colors of the berries, while the subtle gradations on the orange‑toned bowl convey volume. The arrangement appears spontaneous, yet the precise rendering of each fruit reflects the artist’s meticulous observation.
History & Provenance
Created toward the end of Coorte’s productive period, the painting aligns with his later works that continued the intimate still‑life tradition of the early Dutch Golden Age. Documentation places its execution in 1698, though the subsequent ownership trail remains sparsely recorded.
Context
Coorte’s small‑scale still lifes diverge from the grander banquet scenes popular in his time, recalling an earlier Dutch penchant for modest, contemplative arrangements. This approach underscores a shift toward personal, domestic subjects in late seventeenth‑century art.
Artist & collection
Artist
Adriaen Coorte (ca. 1665 – after 1707) was a Dutch Golden Age painter of still lifes, who signed works between 1683 and 1707. He painted small and unpretentious still lifes in a style more typical of the first half of…

















