Artwork

Szene aus dem Leben des Hl. Vinzenz Ferrer: Der Heilige wird vor dem Altar und in seiner Zelle beim Lesen des Heiligen Hieronymus vom Teufel versucht; er wird von der Muttergottes getröstet

Szene aus dem Leben des Hl. Vinzenz Ferrer: Der Heilige wird vor dem Altar und in seiner Zelle beim Lesen des Heiligen Hieronymus vom Teufel versucht; er wird von der Muttergottes getröstet is an unspecified painting by Agnolo degli Erri. It is held in the collection of the Kunsthistorisches Museum.

About this work

Overview

A triptych painted by Agnolo degli Erri in the early fifteenth century portrays episodes from the life of Saint Vincent Ferrer. Executed in the Gothic style prevalent in Modena, the work combines narrative scenes with a richly detailed architectural setting, intended for devotional display in a museum collection.

Subject & Meaning

The central panels illustrate Saint Vincent’s spiritual trials: the saint is shown before an altar and later in his cell, reading the works of Saint Jerome while the devil attempts to tempt him. In a moment of consolation, the Virgin Mary appears, offering comfort to the afflicted holy man.

Technique & Style

Erri employs a luminous palette dominated by warm, golden tones, while the architectural backdrop features a broad, yellow‑washed edifice with arches, windows and a slender tower. Figures are rendered with clear outlines and modest modeling; chiaroscuro creates depth, emphasizing the three‑dimensionality of the interior space.

History & Provenance

The painting was produced for a religious context in Modena and later entered the collection of the Kunsthistorisches Museum. Agnolo worked alongside his brothers, Bartolomeo and Bartolomeo Bonascia, contributing to the regional Quattrocento artistic output.

Context

The work reflects the devotional practices of the period, where saints’ lives were visualized to inspire piety. Its Gothic language aligns with the transitional phase between medieval iconography and emerging Renaissance naturalism in northern Italy.