Artwork
Assumption of the Virgin
Assumption of the Virgin is an unspecified painting by the Early Baroque Italian artist Ambrogio Bergognone. It dates from 1498 and is held in the collection of the Metropolitan Museum of Art.
About this work
Overview
The work, which portrays a key religious narrative involving Mary, is currently part of the collection at The Metropolitan Museum of Art.
Ambrogio Bergognone, also known as Ambrogio da Fossano, completed *Assumption of the Virgin* around 1498. This painting exemplifies the Lombard artistic tradition prevalent in northern Italy during the late 15th and early 16th centuries. The work, which portrays a key religious narrative involving Mary, is currently part of the collection at The Metropolitan Museum of Art. Bergognone was active in and around Milan during this period.
Subject & Meaning
The painting illustrates the theological event of the Virgin Mary's ascent into heaven. Mary appears centrally, floating upwards, adorned with a crown and a blue robe patterned with stars. She is surrounded by a host of angels, some playing musical instruments, signifying her divine reception. Below, a group of bearded men, likely the Apostles, gaze upwards with solemn expressions, witnessing the miraculous event as a golden light emanates from the heavens.
Technique & Style
Bergognone's approach to this devotional subject reflects the artistic sensibilities of his time and region. The composition divides the canvas into earthly and celestial realms, emphasizing Mary's transition. His palette incorporates vibrant blues, reds, and yellows for the figures, contrasted with the radiant golden light of the upper register. The artist renders the figures with distinct features, from the serene angels to the contemplative expressions of the men below, characteristic of the Lombard school's attention to detail.
Context
Active primarily in Milan and its surrounding areas, Ambrogio Bergognone was a prominent figure within the Lombard artistic landscape. His work, including *Assumption of the Virgin*, aligns with the late Italian Renaissance period. Artists in this tradition often focused on religious narratives, producing altarpieces and devotional works for churches and private patrons, reflecting the spiritual climate of the time.
Artist & collection
Artist
Ambrogio Bergognone (variously known as Ambrogio da Fossano, Ambrogio di Stefano da Fossano, Ambrogio Stefani da Fossano or as il Bergognone or Ambrogio Egogni, c.
