Untitled

Although the folder bears the label “stair||Prints,” the works themselves are not described in detail, leaving the thematic connection to stairs open to interpretation. The absence of imagery on the exterior suggests the focus lies within the prints, inviting viewers to examine each piece for any visual or conceptual ties to the notion of ascent or transition.

Compiled in 1961, the portfolio reflects a collaborative effort among artists active in the post‑war American and Japanese print scenes. After its creation, the set entered the collection of the Museum of Modern Art, where it remains catalogued as an example of mid‑century print experimentation and collective artistic practice.