Artwork

Composition avec corne d'abondance remplie de fleurs, guirlandes et bouquets de fleurs champêtres, projets de broderies de gilet, XVIIIème siècle

Composition avec corne d'abondance remplie de fleurs, guirlandes et bouquets de fleurs champêtres, projets de broderies de gilet, XVIIIème siècle is a drawing by Anonyme. It dates from 1750 and is held in the collection of the Palais Galliera - Musée de la Mode de la Ville de Paris. Composition avec corne d'abondance is an anonymous 18th-century artwork, circa 1750, housed at the Museum of Ethnography.

About this work

Overview

Composition avec corne d'abondance is an anonymous 18th-century artwork, circa 1750, housed at the Museum of Ethnography. The piece features two diamond-shaped frames on light beige paper, overflowing with vibrant floral arrangements.

Subject & Meaning

The subject centers on abundance, symbolized by a cornucopia (not visually present but implied by the title) and an array of wildflowers, garlands, and bouquets. These elements convey themes of fertility and natural prosperity.

Technique & Style

Executed in soft pinks, blues, greens, and accentuated with tiny white dots (suggesting seeds), the flowers are bordered by a dark red outline. The design's repetitive, spill-over pattern indicates its intended use as a model for manual replication, likely in embroidery.

History & Provenance

Created around 1750, the artwork's author remains unknown. It is currently part of the collection at the Museum of Ethnography, with no detailed provenance provided in available records.

Context

The piece reflects 18th-century decorative arts' penchant for floral motifs and the practical application of art in craftsmanship, such as embroidery designs for garments like vests.

Legacy

While not attributed to a specific artist, the work contributes to the understanding of late Baroque to early Rococo design influences in embroidery and pattern making, highlighting the era's interplay between art and functional craft.