Artwork

Gilet décor bouquet de bleuets et d'oeillets, projets de broderies de gilet, XVIIIème siècle

Gilet décor bouquet de bleuets et d'oeillets, projets de broderies de gilet, XVIIIème siècle, by Anonyme, 1750
Gilet décor bouquet de bleuets et d'oeillets, projets de broderies de gilet, XVIIIème siècle, by Anonyme, 1750

Gilet décor bouquet de bleuets et d'oeillets, projets de broderies de gilet, XVIIIème siècle is a drawing by Anonyme. It dates from 1750 and is held in the collection of the Palais Galliera - Musée de la Mode de la Ville de Paris.

About this work

Overview

This eighteenth‑century drawing, attributed to an unknown artist and dated to around 1750, functions as a design proposal for a embroidered garment. The composition presents a rectangular central area surrounded by a decorative border of stylised flowers, intended for application to a vest or similar textile piece. The work is part of the collection of the Museum of Ethnography.

Subject & Meaning

The motif centres on a bouquet of cornflowers and carnations, rendered with accompanying green foliage. The arrangement balances vivid blue, pink and yellow blossoms, suggesting an appreciation for naturalistic detail while adhering to the ornamental conventions of the period. Such floral schemes were commonly employed to convey refinement and to enhance the visual appeal of clothing accessories.

Technique & Style
The precise, repetitive grouping of the flowers reflects the practical needs of embroidery pattern making, where clear outlines guide stitchers.

Executed in a flat, coloured‑pencil‑like manner, the drawing employs clear, uniform washes to delineate each petal and leaf. The precise, repetitive grouping of the flowers reflects the practical needs of embroidery pattern making, where clear outlines guide stitchers. The style aligns with the Rococo taste for delicate, asymmetrical floral ornamentation prevalent in mid‑century French fashion design.

History & Provenance

Created circa 1750, the sketch likely served a workshop or patron seeking a bespoke embroidered vest. Over time it entered the holdings of the Museum of Ethnography, where it is preserved as an example of historical textile design documentation. Its anonymous authorship is typical of utilitarian design drawings, which were rarely signed or individually credited.

Artist & collection

Artist

Anonyme

A French designer from the 1700s made delicate flower drawings meant to decorate vests.