Artwork

Christmas Eve: 'And there was no room for them in the inn' (unfinished)

Arthur Melville , 1902

Christmas Eve: 'And there was no room for them in the inn' (unfinished) is an oil painting by the Post-Impressionist artist Arthur Melville. It dates from 1902 and is held in the collection of the National Galleries Scotland.

About this work

Overview

Arthur Melville’s unfinished oil work, dated 1902, depicts a nocturnal arrival scene titled “Christmas Eve: ‘And there was no room for them in the inn’.

Arthur Melville’s unfinished oil work, dated 1902, depicts a nocturnal arrival scene titled “Christmas Eve: ‘And there was no room for them in the inn’.” The composition centers on two cloaked figures—one astride a donkey, the other on foot—approaching a modest structure that suggests an inn, its doorway and window faintly illuminated. The palette is restrained, dominated by warm, muted tones that convey a subdued atmosphere.

Subject & Meaning

The painting alludes to the biblical narrative of the Magi seeking shelter in Bethlehem, a theme traditionally linked to the Nativity. By focusing on the travelers rather than the holy family, Melville emphasizes the journey and the uncertainty of finding refuge. The contemplative posture of the figures, coupled with the dimly lit doorway, invites reflection on hospitality, exile, and the human dimension of the sacred story.

Technique & Style

Executed in oil on canvas, the work displays Melville’s characteristic handling of light and texture, even in its incomplete state. Broad, softened brushstrokes render the figures’ robes and the building’s surfaces, while subtle chiaroscuro models the forms against a twilight background. The limited color range—earthy reds, tans, and subdued whites—creates a cohesive tonal harmony that underscores the painting’s quiet, introspective mood.

History & Provenance

Created in the early twentieth century, the unfinished canvas entered the collection of the Scottish National Gallery, where it remains on display. Its provenance traces back to Melville’s own studio, where the artist left the composition incomplete, offering insight into his creative process. The gallery’s acquisition reflects the institution’s commitment to preserving works that illustrate the evolution of Scottish art during this period.