Artwork

Go and Sin No More

Go and Sin No More, by Thomas Dalling Barlee, 1850
Go and Sin No More, by Thomas Dalling Barlee, 1850

Go and Sin No More is a drawing by Thomas Dalling Barlee. It dates from 1850 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

Go and Sin No More is a drawing created by Thomas Dalling Barlee in 1850, depicting a pivotal biblical scene of forgiveness.

Subject & Meaning

The drawing illustrates the moment when Christ forgives the woman taken in adultery, emphasizing a message of moral instruction and compassion. The woman's submissive posture, with her head bowed and covered, conveys sorrow or despair, while Christ's extended arm suggests guidance and redemption.

Technique & Style

Barlee employed shading techniques, notably cross-hatching, to achieve depth and volume in the figures. The composition features a simple yet effective backdrop of a stone wall with a central column, focusing attention on the emotional interaction between the two figures.

History & Provenance

Created in 1850 by Thomas Dalling Barlee, specific details about the drawing's ownership history or exhibitions are not provided in the available information.

Context

This work reflects 19th-century artistic interest in biblical themes, often used to convey moral lessons to the viewer. The use of a serene, classical setting (e.g., the column) was common in period artworks depicting ancient scenes.

Legacy

While *Go and Sin No More* may not be widely recognized outside specialized art historical contexts, it contributes to the broader legacy of religious art in the 19th century, illustrating themes of forgiveness and moral reflection.

Artist & collection

Artist

Thomas Dalling Barlee

This London-based draftsman spent his evenings in the British Museum’s print room, copying old masters by candlelight.