Who painted H Beard Print Collection?

H Beard Print Collection was painted by Eugène Baugnies in 1879.

Where can I see H Beard Print Collection?

H Beard Print Collection is held by Victoria and Albert Museum.

What movement is H Beard Print Collection?

H Beard Print Collection is associated with Impressionism.

Artwork

H Beard Print Collection

Eugène Baugnies , 1879

H Beard Print Collection is a print by the Impressionist artist Eugène Baugnies. It dates from 1879 and is held in the collection of the Victoria and Albert Museum.

About this work

This print by Eugène Baugnies from 1879 shows scenes from "The Marriage of Figaro." It’s part of a set of five images plus a portrait in a book.

The book, published in Paris, was titled for Beaumarchais’ comedy "La Folle Journée ou Le Mariage de Figaro." That play was super popular in France back then.

Check out the Victoria and Albert Museum for prints like this.

Overview

This 1879 print, created by Eugène Baugnies, is one of six illustrations in a book titled 'Cinq Vignettes et un Portrait pour La Folle Journée ou Le Mariage de Figaro par Beaumarchais', published in Paris by Damascène Morgand & Charles Fatout.

Subject & Meaning

The print depicts a scene from Beaumarchais' celebrated comedy 'La Folle Journée ou Le Mariage de Figaro' (The Marriage of Figaro), reflecting the play's enduring popularity in 19th-century France.

Technique & Style

While specific technical details of the print are not provided, its inclusion in a set of vignettes suggests an emphasis on narrative illustration, characteristic of 19th-century printmaking for literary works.

History & Provenance

Published in Paris in 1879 by Damascène Morgand & Charles Fatout, the book of prints is attributed to Eugène Baugnies. Further provenance details are not specified.

Context

The work's creation and publication in late 19th-century Paris align with a period of heightened interest in Beaumarchais' comedies, which were frequently illustrated and performed.

Legacy

Similar prints can be found in collections like the Victoria and Albert Museum, indicating the work's representation within broader archival holdings of 19th-century literary illustrations.