Artwork
The Rabbits' Christmas Party: Roasting Apples

The Rabbits' Christmas Party: Roasting Apples is a watercolor work on paper by the Impressionist artist Beatrix Potter. It dates from 1892 and is held in the collection of the Victoria and Albert Museum. Created around 1892, this watercolour is part of a small series of four narrative scenes depicting rabbits celebrating a winter holiday.
About this work
Beatrix Potter painted a cozy scene in *The Rabbits' Christmas Party: Roasting Apples* around 1892. It’s one of four watercolor stories showing rabbits at a holiday feast. She gave these pictures to her aunt as a gift.
Potter later became famous for her Peter Rabbit books, but this set came years before. The rabbits sit by a fire, warming apples on a stick.
Look up Beatrix Potter next.
Overview
Created around 1892, this watercolour is part of a small series of four narrative scenes depicting rabbits celebrating a winter holiday.
Created around 1892, this watercolour is part of a small series of four narrative scenes depicting rabbits celebrating a winter holiday. Executed before Beatrix Potter’s published tales gained recognition, the work reflects her early experimentation with anthropomorphic animals in domestic settings. The piece was gifted to her aunt, Lucy Roscoe, and now resides in the V&A’s collection as part of the Linder Bequest.
Subject & Meaning
The scene captures a quiet moment during a rabbit family’s Christmas gathering: several rabbits huddle near a hearth, roasting apples on sticks. The activity suggests warmth, domestic ritual, and shared celebration. There is no overt moral or narrative climax—instead, the focus lies in the gentle, intimate atmosphere of seasonal togetherness, reflecting Potter’s interest in quiet, observed moments of animal life.
Technique & Style
Rendered in delicate watercolour, the composition emphasizes soft washes and fine linework to define fur, fabric, and firelight. Potter’s attention to texture and subtle tonal shifts conveys the glow of the hearth and the plushness of the rabbits’ coats. The figures are arranged in a compact, balanced group, drawing the viewer’s eye toward the central act of roasting, with minimal background detail enhancing the intimacy of the scene.
History & Provenance
The watercolour was one of four given by Potter to her aunt, Lucy Roscoe, in the early 1890s. Two additional related scenes—showing dancing and Blind Man’s Buff—are known to exist elsewhere. These works remained in private hands until their inclusion in the Linder Bequest, which later entered the V&A’s collection. They predate Potter’s commercial publishing career and reveal her artistic development prior to The Tale of Peter Rabbit.
Context
At the time of its creation, Potter was developing her skills as a naturalist illustrator and was deeply engaged with the study of animals and their habitats. The rabbits’ Christmas party reflects a growing interest in personifying creatures within domestic environments, a theme that would later define her published stories. These early works were not intended for publication but served as personal artistic explorations.
Legacy
Though created before her fame, this series laid foundational elements for Potter’s later illustrated tales: anthropomorphic animals, domestic interiors, and quiet, observational storytelling. The watercolours demonstrate her early command of narrative sequence and emotional tone, influencing the visual language of children’s literature. Their preservation offers insight into the private artistic process behind her public success.
Artist & collection
Artist
Helen Beatrix Heelis (née Potter; 28 July 1866 – 22 December 1943), usually known as Beatrix Potter ( BEE-ə-triks), was an English writer, illustrator, natural scientist, and conservationist.

















