Who painted The healing of the woman with an issue of blood?

The healing of the woman with an issue of blood was painted by William Blake in 1780.

Where can I see The healing of the woman with an issue of blood?

The healing of the woman with an issue of blood is held by Victoria and Albert Museum.

What movement is The healing of the woman with an issue of blood?

The healing of the woman with an issue of blood is associated with Neoclassicism.

Can I buy a print of The healing of the woman with an issue of blood?

Museum-quality prints of The healing of the woman with an issue of blood are available made-to-order from Artifact World Gallery.

Artwork

The healing of the woman with an issue of blood

William Blake , 1780

The healing of the woman with an issue of blood is a watercolor work on paper by the Neoclassicist artist William Blake. It dates from 1780 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

Created in 1780, this watercolour by William Blake portrays the biblical moment when Jesus heals a woman suffering from chronic bleeding.

Created in 1780, this watercolour by William Blake portrays the biblical moment when Jesus heals a woman suffering from chronic bleeding. The composition centers a tall, bearded figure in a white robe, surrounded by a varied crowd whose gestures and gazes converge on him. The palette is muted, dominated by pale blues, grays and whites, with occasional warmer hues in the garments, giving the scene a subdued, contemplative atmosphere.

Subject & Meaning

The work visualises the Gospel narrative in which a woman, deemed unclean, reaches out to touch Jesus and is instantly healed. Blake captures the collective response of the surrounding onlookers—some kneeling, others standing with folded hands, children reaching forward—reflecting both reverence and curiosity. The central figure’s outstretched hands emphasize his role as a conduit of divine mercy, while the woman's presence, though less distinct, underscores themes of faith and restoration.

Technique & Style

Executed in watercolour, Blake employs loose, flowing lines that allow figures to merge with the background, creating a dreamlike quality. The soft washes of pale tones blend seamlessly, while the occasional warmer pigments in clothing provide subtle contrast. This handling of pigment and line produces a sense of unity among the participants, echoing the Romantic interest in emotion and the dissolution of rigid form.

History & Provenance

The watercolour entered the collection of Thomas Butts, a close friend and patron of Blake, who amassed several of the artist’s works during the late 18th century. Its association with Butts situates the piece within the broader network of Blake’s early supporters and reflects the artist’s practice of producing religious subjects for private collectors rather than public exhibition.