Who painted Chaumière de pêcheur (Fisherman's Cottage)?

Chaumière de pêcheur (Fisherman's Cottage) was painted by Félix-Hilaire Buhot in 1892.

Where can I see Chaumière de pêcheur (Fisherman's Cottage)?

Chaumière de pêcheur (Fisherman's Cottage) is held by National Gallery of Art.

What movement is Chaumière de pêcheur (Fisherman's Cottage)?

Chaumière de pêcheur (Fisherman's Cottage) is associated with Impressionism.

Artwork

Chaumière de pêcheur (Fisherman's Cottage)

Félix-Hilaire Buhot , 1892

Chaumière de pêcheur (Fisherman's Cottage) is an ink print by the Impressionist artist Félix-Hilaire Buhot. It dates from 1892 and is held in the collection of the National Gallery of Art. Félix‑Hilaire Buhot’s 1892 lithograph titled Chaumière de pêcheur presents a tranquil riverside scene.

About this work

Overview

Félix‑Hilaire Buhot’s 1892 lithograph titled Chaumière de pêcheur presents a tranquil riverside scene. Rendered in black on wove paper, the composition centers a modest stone cottage beside a calm expanse of water, evoking a quiet moment in a rural landscape.

Subject & Meaning

The work depicts a solitary stone dwelling with a modest window and door, set against a reflective water surface. Small trees and shrubs frame the foreground, while a diminutive boat drifts on the water, suggesting a simple, contemplative life tied to the river.

Technique & Style

Created through lithography, Buhot drew directly onto a stone plate, transferring the image onto wove paper. The central portion employs chine collé, a method of adhering a thin paper layer to the support, enhancing texture and detail within the monochrome palette.

History & Provenance

Produced in 1892, the print reflects Buhot’s engagement with late‑19th‑century French printmaking. While specific ownership records are scarce, the work remains documented within collections that focus on French lithographic art of the period.

Context

At the time of its creation, lithography was gaining prominence as a fine‑art medium in France, allowing artists like Buhot to explore atmospheric effects and nuanced line work. The serene subject aligns with contemporary interests in rural nostalgia and the natural environment.