Artwork
One of the Infantry Combats

One of the Infantry Combats is an ink print by the Baroque artist Jacques Callot. It dates from 1616 and is held in the collection of the National Gallery of Art.
About this work
Overview
Jacques Callot’s 1616 print *One of the Infantry Combats* is an etching executed on laid paper. The French baroque artist, active in the Duchy of Lorraine, created the image as part of his extensive output of more than 1,400 etchings that record scenes from early‑17th‑century life, especially military engagements.
Subject & Meaning
The composition presents a densely populated battlefield where infantrymen, cavalry, and fallen combatants intermingle across a muddied ground. Architectural elements such as a row of buildings and a bridge frame the scene, while groups of onlookers occupy the middle ground. The crowded arrangement emphasizes the disorder and intensity of close‑quarter combat.
Technique & Style
Callot employed the etching process on laid paper, allowing him to render fine, layered lines that delineate individual figures, weapons, and terrain features. His baroque sensibility is evident in the dramatic contrast between light and shadow and in the meticulous, almost obsessive detailing that fills every portion of the plate.
History & Provenance
Created during Callot’s productive period in the early 1600s, the print reflects his reputation for documenting contemporary events through printmaking. While specific ownership records for this particular impression are limited, it belongs to the broader corpus of Callot’s military series, which were widely circulated among collectors and patrons across Europe.
Artist & collection
Artist
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine.







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